![]() ChromaVerb and Space Designer represent two of those.Īcoustic Reverbs: These are the echo chambers like the famous Abbey Road Studios or Capitol Records, or if that is a bit out of your financial reach, your next-best bathroom or hallway. In audio production, there are five categories of reverbs. And the pairing of Logic's 2 reverb plugins can work in just about any mix. So for me, Space Designer for natural glue and ambiance. Whereas with ChromaVerb it’s a fairly easy affair. With Space Designer I’m never looking to craft a reverb from scratch. The workflow is similar to that of Fabfilter's Pro-R or one of the many Valhalla DSP offerings. With 14 different room types to choose from, Dampening EQ, and the many other controls, it doesn't take much time to dial-up an inspiring reverb. I feel more at home with ChromaVerb when it comes to creative sound design as compared to Space Designer. Slapback reverbs call attention to themselves as they quickly ping pong along. Drenched reverb pads recycle into themselves thanks to ChromaVerb's awesome Freeze button. While I turn to Space Designer for natural glue and ambiance, I tend to turn to ChromaVerb for more "special effect" reverb choices. And in my opinion, the sounds that Space Designer delivers are wonderful. Whenever I need the sound of a room, chamber, hall, or plate, Space Designer is there for me. I most often use Space Designer for gluing instruments and mixes together. But not only that, Space Designer can recreate any "space." From speakers to analog gear, moving textures to drum transformers, and even cool rhythmic patterns. As a convolution reverb, Space Designer recreates the sound of just about any space - indoor, outdoor, and everywhere in between. Space Designer continues to be my trusted workhorse for most mixing applications. And once I find that preset that matches the reverb sound in my head, I then fine-tune the results with EQ or compression. When it comes to reverbs, I pretty much exclusively rely on Space Designer and ChromaVerb's preset selection. This time around though, my feelings are exactly the opposite. And everyone involved, including myself, agreed that we don't rely on presets for "utility" plugins like EQ or compression. In our last expert panel, we discussed the value of Logic's Compressor presets. And Eli Krantzberg creates video tutorials on Logic, and other music software, at. Maurice Chevalier, an experienced composer, and mixer is known to many of us for his generous daily expertise on multiple Logic Pro-related Facebook groups. #Altiverb vs lexicon proEdgar Rothermich, well known for his Logic Pro and Pro Tools graphically enhanced manuals, is an expert at digging beneath the surface and deconstructing complex subjects. So, how do you choose which one to use, and when? Here I've asked three esteemed Logic Pro colleagues to weigh in on this existential question.Ĭhris Vandeviver from is an experienced mixer and educator. They both sound great and can both work just about equally well in most cases. Which one is best to use and under which circumstances? There is, of course, no one single correct answer. And Chromaverb is an algorithmic reverb, creating spaces with ones and zeros. Space Designer is a convolution reverb that works with impulse responses of actual acoustic spaces. They represent two completely different under-the-hood approaches to doing the same job, placing sounds within a space. I am, of course, talking about Logic's Space Designer and Chromaverb. Logic Pro has two flagship reverbs that easily hold their own when compared side by side with the best third-party reverb plug-ins out there. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |